LIDF

Grandma, A Thousand Times – BEST FILM LIDF 2011

Mahmoud Kaabour | United Arab Emirates | 48 mins

Teta Kaabour is an 83-year old family matriarch and sharp-witted queen bee of an old Beiruti quarter. She’s been gripped as of late by the silence of her once-buzzing household where she raised children and grandchildren. Resigned to Argileh smoking and day-long coffee drinking on a now-empty balcony, Teta now invokes the deepest memories of her violinist husband who died twenty years ago. She claims a preparedness to re-unite with him.

Filmmaker Mahmoud Kaabour, Teta’s favorite grandson and the bearer of his grandfather’s full name, has also been pre-occupied for years with the memory of his grandfather. Prior to his death, the late violinist had audio taped heart-wrenching violin improvisations in the privacy of his room in that same flat. That music, along with the details of his long career playing with the Arab world’s most famous divas, remains unpublished. The filmmaker’s anguish is compounded at the thought that this personal and cultural heritage, as well as grandma’s own stories, rare recipes, and naughty humor, will go with her when she parts this life.

“Teta, Alf Marra” brings together grandfather, grandmother, and grandson in a playful magic-realist documentary that aims to defy a past death and a future one. It documents with great intimacy the larger-than-life character of Teta Kaabour, her telling of the trials of her violinist husband and his Beirut, as well as her imaginings of what awaits her beyond death. All while the filmmaker constantly switches roles between the film’s silent creator, Teta’s grandson in front of the camera, and a re-enactor of his late grandfather. Meanwhile, the deceased violinist circles them with his seven violin improvisations that serve as the drive and soundtrack of the film.
More Details | Rate Film | Leave Comment